Trampling Over the Classics is a conversation with art history conducted on equal terms. It borrows the emotional weight, compositional power and quiet grandeur of the Old Masters, then sets about dismantling them.
Each work tends to begin with a nod to the source, a fragment of a figure, the rhythm of drapery, the gravity of a timeless pose. What follows is an act of liberation. Layers are scraped back, forms are fractured, and colour surges in where history once demanded restraint. The result is not a rejection of tradition but a refusal to let it stand still.
By breaking the familiar apart, the work uncovers something raw, something that speaks to the present while still carrying the bones of the past. Here, heritage and innovation meet on equal footing.