The Abstracted collection works in the space between reality and imagination, where form, memory and emotion dissolve into something at once familiar and ungraspable. Recognisable shapes surface for a moment, then melt back into the canvas, much as a memory shifts each time it is recalled.
Each painting is approached as a search, not for a perfect image but for a raw truth. Layers of colour, texture and mark are built, broken down and rebuilt, echoing the way meaning is made and unmade. The process is physical and instinctive, and it leaves the work with an energy that feels genuinely alive.
For all its abstraction, a human presence runs through the collection. A flicker of movement, the shadow of a figure, the whisper of a landscape. These are fragments, and they invite the viewer to find their own story in them.
In the end, Abstracted is less about what is seen than what is felt. It holds the conversation open, resisting tidy conclusions in favour of the beauty of the unresolved.